nonfiction

Writing a Self-Help Book 101

Do you want to help people change and improve their lives? Do you want to make a difference? I’ll bet you’re considering writing a self-help book.

I don’t blame you. It’s a beautiful thing to want to help, and there will always be a market out there for self-help – people will always want (and need) to get better, and they will always be in search of new, fresh voices to help guide them in their quests for self-improvement.

The bad news? This is also a very crowded field – according to the NPD Group, in 2019 alone, 85,253 new self-help titles were published, and 18.6 million books were sold. That’s a lot of helping!

So, what you can you do to stand out from the pack? You should always be working on your author platform, for one. Then, you need to make sure that your book is the best it can possibly be.

Before you get started, be careful about the following things:


  • Choose your topic wisely – as mentioned above, self-help is a crowded marketplace, and you want your book to stand out. You also want to make sure that this is a topic you know enough about to position yourself as an expert, and that you care enough about the topic to write the book, market it, etc.

  • Be specific when choosing your topic. A subject like “how to be a good mom” is too broad; “how to be a compassionate and effective parent to your adolescent daughter” is more specific.

  • Know your audience. What are they looking for? What is their biggest pain point?

  • Be aware of comparative titles. What books like yours have been super successful? What do they do well? What does your book offer that is better or different? This knowledge will help when pitching and marketing your book, and it will also help you analyze what kinds of books readers need, the best approach to take, etc.

  • Choose a title AND a subtitle – the title can be catchy, and the subtitle can explain that the book is about (e.g., Fat Schmat: The Sassy Girl’s Guide to Weight Loss, Manage Sideways: The New Manager’s Guide to Change)


As you’re writing be cognizant about word count. Most self-help books are 40,000-60,000 words, and you definitely want to err on the side of brevity. Not only do most readers want to receive their answers/instructions/guides as quickly as possible, the higher the page count, the more expensive the book will be to publish. (Therefore, fewer books will be sold, which makes the prospective book less attractive to agents, editors, and readers.)

Possibly the most important tip I have for you? OUTLINE. Outline the heck out of your book. You need a map to guide you during the writing process, and to stay focused.

Structure is always important, and when you are starting out, it’s important to stick to the traditional structure as closely as possible. Here’s a good sample structure to follow:

Most books have about 12 chapters (with each chapter is usually about 5,000 words long, including 2,000 words in stories/anecdotes/case studies). Each summary should be 1-3 paragraphs, and should give an indication as to what information will be covered in each chapter and how (client success stories, quizzes/assessments, etc.).

Your book should be laid out in a clear, logical manner. Here is a general structure:


  • Chapter 1 – The overview/introduction – this is where you identify/explain the problem/pain. You will likely share your story here, or another particularly powerful one – you want to connect and empathize with the reader.

  • Chapter 2 – Here you help the reader identify him or herself as a person desperately needing the information you’re about to offer. You want to introduce your “solution,” and explain why it is effective (i.e., how the reader’s life will benefit).

  • Chapters 3-11 – Give the reader the steps they need to follow; expound your ideas of how to solve the problem. Each chapter should build upon the one that precedes it.

  • Chapter 12 – I call this the “go forth and conquer” chapter. Here you sum up what the reader will have learned, tie everything together, and end things on a powerful note. Empower the reader to take the necessary steps to change/improve their life. The reader should leave the book feeling like they too can achieve the results you presented in Chapter 1 and 2 sums up book, inspires reader to go out and change their life.


When you’re looking at the chapters themselves, you can consider following this general structure:


  • Start with a quote that can set the tone for the pages that follow.

  • Identify your goal for the chapter (what do you want the reader to learn?).

  • Share a story or two that they can relate to/connect with.

  • Make clear why they need the information you’re sharing.

  • Tell them what to do next.

  • Give a brief summary (this can be done in a short paragraph, or this can be down in a bulleted list of key takeaways, for example).

  • Give them an action step (e.g., worksheet to fill out).


As you’re writing:


  • Don’t take too much on – don’t try to do all the things. There can always be other books, and you want to make sure you don’t overwhelm the reader with information – make this as easy for them as possible.

  • As Denise Duffield-Thomas says, be comfortable being a contributor, not a guru. While you should be an expert in what you are saying, you don’t have to be the expert to end all experts. People want to hear what YOU have to say.

  • Do your research. Whether it’s interviewing experts, reading studies, or compiling statistics, you need to have relevant and factual information to back up your statements and claims.

  • Give the reader something to do. You want the reader to have as many opportunities as possible to interact with your material. Stories allow them to interact emotionally, but activities (quizzes, worksheets, fill in the blanks) give them the option to review and apply the information they’ve just read.


After you’ve written your first draft:


  • Edit (obviously). Go back to your outline and make sure you have followed it as closely as possible. As yourself if you’ve shared enough stories, given the reader enough ways to connect with the information, etc.

  • Consider hiring an editor. I don’t mean this in a self-serving way, but it helps to have a person in your corner that has experience editing your type of book.

  • Get an amazing book cover designed for you – people really do judge a book by it’s cover.

  • Get endorsements – these make a huge difference when they’re splashed on the book’s cover!

  • If you’re planning to traditionally publish, write your book proposal (this is what agents and editors will want to see before the manuscript itself).

  • Keep working on your platform!


Need a little inspiration? Reedsy put together a great list of some of the best self-help books of all time: https://reedsy.com/discovery/blog/best-self-help-books

I can’t wait for your book to change readers’ lives. See you on bookshelves soon!


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Let’s talk about book proposals: the Competitive Analysis

Let’s talk about book proposals: the Competitive Analysis

The point of the Competitive Analysis is to show agents and editors that you are savvy, and to illustrate that there is already a market for a book like yours – and then illustrate for them why your book deserves a spot on bookstore shelves. There is a good chance that you are already pretty familiar with other successful books in your genre/subject area.

Let’s talk about book proposals: the author’s bio

Let’s talk about book proposals: the author’s bio

Much like the Overview, the Author’s Bio is pretty self-explanatory. This is where you tell the reader (the literary agent/editor) all about you. However, it is important that the information and qualifications you share relate to your expertise as an expert on your book’s subject matter and/or as an author. (With an emphasis on the former). It doesn’t matter if you are an award-winning gardener, unless you are writing a gardening book.

Let’s talk about book proposals: the Overview

Let’s talk about book proposals: the Overview

So, really quickly, what is a book proposal? A book proposal is essentially the sales plan for your book – it serves to answer the questions of agents and editors before they ask them. It tells them what your book is about, why you’re the one to write it, and who is actually going to go out and purchase this book. Publishers want to invest in books, but they want to invest in authors, too, and they want to know that they will be making back their investment. (And agents want to know that the clients they are pitching are actually going to sell.)